Nothing is as it seems in David Lynch’s complex psychological thriller Mulholland Drive, which has been variously interpreted by film critics and theorists. The climax turns the story on its head, and that is when the viewer realises that he had been taken for a ride all along. Remember Bryan Singer’s The Usual Suspects? A character spins a convoluted story about what happened after a crime lord hired him and a few others to attack a ship apparently loaded with cocaine. An unusual story forms the backbone of a good thriller, and that is why both Rear Window and Double Indemnity are seen as all-time classics.Ī thriller is driven by imaginative plot points, which include the climax most often. If Hitchcock made the viewer ‘guilty’ of sharing private views with the photographer, Billy Wilder showed how a scheming wife can connive with an insurance salesman to try and double the value of her husband’s policy in Double Indemnity.
The viewer watches his voyeuristic indulgence as the photographer starts believing that one of his neighbours has murdered his wife.Ī thriller is driven by imaginative plot points. Alfred Hitchcock defined the implications of cinematic excellence with his works, among them Rear Window in which a wheelchair-bound photographer spies on his neighbours across the courtyard. Thrillers and Hollywood have never been far apart. Every writer must confront these challenges in order to produce the screenplay of an absorbing film of this genre. The characters under scrutiny cannot be taken at their face value, the plot must twist and turn, and the climax must stump the viewer. The story must have what it takes to keep the viewer interested. Reema Kagti’s Talaash: The Answer Lies Within, which has Aamir Khan as a cop who has lost his son and is investigating a mysterious death, is an engrossing psychological thriller for the most part. Kahaani, in which a pregnant woman searches for her missing husband, has one of the most mesmerising last few minutes in the Hindi thriller genre. The story of an engineer and one-novel-old writer who turns into a sleuth, Manorama. In recent years, we have seen films like Navdeep Singh’s Manorama Six Feet Under. In this list are films like Woh Kaun Thi, Ittefaq and Gumnaam, which have acquired a cult following with time. History shows that Bollywood has produced its share of mysteries and thrillers. Badlapur, in which a character seeks revenge for the murder of his wife and child, is another of his films that was loved by the critics and viewers alike. Intrigue and deceit come to the fore as the story progresses, leading to many unforgettable moments in Raghavan’s signature style.
Then there is Johnny Gaddar, the story of a ‘gaddar’ among the five characters running a gambling club. In Ek Hasina Thi, the story of a wronged woman who stalks her former lover, he had successfully sustained the tension until the gruesome climax. Raghavan had walked down this path earlier.
Manorama six feet under climax movie#
A layered story with amoral characters like that of a musician who pretends to be visually challenged and a former movie star’s wily and charming second wife, Andhadhun is a gripping film nobody should abandon midway. Sriram Raghavan’s Andhadhun is the latest thriller in town. From time to time, it also makes mysteries, horror films and thrillers. It often makes films that combine romance, action and comedy. Bollywood makes romances, action films, period dramas and comedies.
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